Bill Doggett Productions -  Performing Arts Marketing,Diversity Inclusion,Lectures

Contemporary African American Composers,
Diverse Voices, New Music



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Important Update for Fall 2018 Season

The Black Composers Resource
showcases have mulitple benefits
 in which two are primary 

  • Education and Advocacy of  the extraordinary world of music composed by Contemporary African American composers that is dramatically under represented in Subscription Concert and Festival programming
  • As a demonstration showcase for retaining Bill Doggett as a programming consultant/curator 

The page represents hard earned relationships and trust with a number of composers,  several of whom I have represented.    

This showcase includes several loaned private recordings of premiere public performances not available elsewhere.

Contact Bill Doggett  to assist your Diversity inclusion special events project management and curating of music programming

From 2016 Photo Essay:History Interactions, by Bill Doggett, photographer
What have Black Composers said about Bill Doggett

Anthony Davis- "Bill Doggett is a tireless champion for African American composers. His persistence and insight have opened doors for all of us and he continues to challenge the bias and prejudice so prevalent in today's America." {Composer of X, Amistad}

Adolphus Hailstork- re: Black Composers- Shout For Joy showcase " Hopefully Shout makes a contribution. But what you are doing sets the standard."
Shout For Joy is the opening music of Black Composers resource. Adolphus Hailstork was commissioned in 2017 by The LA Philharmonic to create a new work based on a theme of William Grant Still which will receive its World Premiere performances during The Orchestra's Centennial Season in February 2019

Richard Thompson-"Bill Doggett is extremely knowledgeable about classical music and understands strategy and marketing like no one I've met before"
Shawn Okpebholo- “One of the most rewarding aspects of being a composer is having noted artists in the field champion my music. Bill Doggett—a creative whose life’s work is committed to the preservation and promotion of music by American-American composers—does just that. He has creatively used some of my re-imaginations of Negro spirituals in his lectures, a film, and on his website, providing some extra exposure of my art.”

Roy Jennings-"Although my association with Bill Doggett is relatively recent, it has had productive and long range consequences."

Willie Ellebie-  Music Theory student of composer Adolphus Hailstork  re: Richard Thompson's Art Song "Dawn" performed by Leberta Loral-
"Excellent music and beautiful voice. I need to find out more about the singer and composer.  Thanks for pointing me in the right direction to discover and enjoy the rich musical treasures of black classical composers.
Congratulations, you are doing a great work on the behalf of black classical musicians."


Contact Bill Doggett  to assist your Diversity inclusion special events project management


Contemporary African American composers are diverse in their respective accomplishments and collectively represent a brilliant mosaic of exceptional music.
Their compositions are rooted in and influenced by a great history of mid 20th Century African American composers who preceded them: William Grant Still, William Dawson, Ulysses Kay, Margaret Bonds, Florence Price, Undine Smith Moore among others.
Jazz and African poly rhythmic influences showcased in the short and extended symphonic works of Duke Ellington, Charles Mingus, Thelonious Monk are also part of the critical  fabric of inspiration.
These diverse and rich influences brought to the table of American Music Schools with a pedadogical and compositional focus on post War late Neo Classicism and  Twelve Tone worlds of Igor Stravinsky, Arnold Schoenberg, Elliott Carter and Pierre Boulez*  informed the formal sources of compositional influence of  many contemporary African American composers. * Agon, Requiem Canticles, Variations for Orchestra  and Le Marteau sans Maitre.
This page is dedicated to showcase a sample of exceptional African American composers of the late 20th Century and present day. 
The music is diversely rich and speaks with incredible poignance.

The repertoire which I have meticulously chosen and programed is done with intention of showcasing programming and commission opportunities for conductors, Artistic Administrators of Symphony Orchestras, Opera Houses and Festivals. 

This page showcases outstanding New music that adds value to Creative Place Making -a concept in The Performing Arts  of value added communal spaces of belonging such as at Concert Halls where multi tiered shared experiences and pride in those experiences take root and blossom akin to a Community Garden  in which all are welcomed to participate, help grow, sustain and to share in the harvest. 

Creative Placing Making....why is it important to the future of The Performing Arts?  

What does a commitment to diversity in the music performed, the guest artists featured  have to do with the events in Baltimore, Ferguson, New York , Charleston and Chicago?  
Why does diversity even matter in The Classical Performing Arts?

 After all, let's be real, there are no Black or Hispanic people active in Classical Music....   I have never seen a Black or Hispanic Guest Soloist in a Symphony Concert and certainly not a Black Conductor.....   I mean ..... Blacks and Hispanics are only into  Gangster Rap and Hip Hop....  right?   

Who ever heard of a Black Composer anyway .  After all, Composers of Classical Music are only White men....  Blacks really have nothing to offer outside of that troubled ex slave named Joe who sings Old Man River in Showboat or as the dysfunctional drug addicted people of Catfish Row from Porgy and Bess........ just like those rioters on CNN in Baltimore, Milwaukee, Ferguson,Chicago....and Los Angeles 25 years ago
1992 Los Angeles Rodney King LAPD  Iconic video
I am honored to have represented  world renowned composer, Anthony Davis during 2013 with continuing dialogue in 2017, Richard Thompson 2012-15, Roy Jennings during 2015 and consultative dialogue with newer generation composers including Trevor Weston, Kerwin Young and others from 2012 through the present day.

For additional music by African American Composers visit:
For a discussion of the controversies and obstacles of 
"Composing while Black "
for African American Composers  visit:

In Memoriam

Banner image: Courtesy @Chicago Sinfonietta

The Drum Major For African Americans in The Classical Performing Arts:The Late Conductor and Champion of Contemporary Black Composers' Music, PAUL FREEMAN.   

Founder of The Chicago Sinfonietta, Paul Freeman was one of the most influential musicians of color in the past 40 years to advocate for and make possible important new opportunities  for musicians and composers of color .   
Paul Freeman ushered in an awareness and provided a critical agency for the place of African Americans in the world of Contemporary American Classical Music.

The 1970s  Black Composers' Series on Columbia Records which showcased 400 years of the music of composers of The African Diaspora is one of  Paul Freeman's  important legacies.
 Rest In Peace, Drum Major Paul Freeman....  transitioned this week July 2015

In Memoriam, George Walker

Dean of African American Composers

June 27, 1922- August 23, 2018 

A Personal Rememberance

George Walker October 2013 at Inaugural Colours of Music Festival,Photo:Bill Doggett Left to Right: Robert Laws,soprano, Daniel Washington, Bass Baritone, Lee Pringle Festival Founder and George Walker
It is with sadness that I share the News of the passing of our friend, George Walker, the Dean of African American Composers due to a fall on Thursday, August 23rd at his home in Montclair, New Jersey at age 96.

National Public Radio {NPR} did a wonderful Tribute to him below

George and I met in October 2013 at the inaugural Festival of The Colours of Music in Charleston North Carolina.
Since then we became friends and corresponded regarding opportunities for his music to be performed by The Los Angeles Philharmonic and other leading orchestras.   

For his 95th birthday on June 22nd, 2017, I gifted him a Town Hall program from 1946 that had a large display ad announcing his Premiere recital as a Classical pianist.  I will never forget his astonishment at my gift {image below]

Rest in Peace, beloved Dean of African American Composers

In Fond Rememberance, Bill Doggett

George Walker-Lyric for Strings
In Memoriam, 1922-2018
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Renee Baker,
Composer and Founder of 
The Chicago Modern Orchestra Project
Featured November-December 2018
ACS Magazine

London, England
October 12, 2018


Songs by
 ground-breaking African American and Black British composers exploring the role of music and poetry in the search for life and love in an unfair and unbalanced system.

Nadine Benjamin, Soprano Michael Harper Speaker Nigel Foster Piano

The Inspired Music of Roy Jennings, Margaret Bonds,
Ricky Ian Gordon and Leonard Bernstein@100
A Benefit Concert
October 20, 2019
Jersey City, New Jersey

Soprano,Angela OwensTenor, Robert Anthony Mack

Remembering The Civil Rights Movement 
  Anthony Davis' landmark opera, 
X, The Life and Times of Malcolm X

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The music showcased here is sourced from mp3 material available on as well as provided to me directly by the composer

 Shout For Joy  for Brass, Tympani, Organ and Large Chorus by Adolphus Hailstork.   This is a  magnificent work  that transcends languages, cultures and generations. 
 Shout for Joy is a grand work for Concert Halls around the world.   

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You can advance the player to listen to specific tracks by clicking on the forward tab in the music player above. Some tracks take a minute to load   You can also STOP the opening music in order to play the additional Music Players, Videos clicking the Stop/pause button above

 Features in Music Player#1

ALVIN SINGLETON  After Fallen Crumbs:   Performed by The Atlanta Symphony Orchestra with Louis Lane. 

Remembering the late Olly Wilson who passed March 12, 2018

A Great Tribute Obituary from The New York Times below

Iconic photo: Olly Wilson looks on as Jazz greats Max Roach greets Ornette Coleman

OLLY WILSON  Shango Memory For Orchestra
Shango Memory was commissioned by The New York Philharmonic for its 150th Anniversary and premiered under the baton of Kurt Masur.  
Listen to the premiere recording by The Detroit Symphony Orchestra with Neemi Jarvi  above

ANTHONY DAVIS   X, The Life And Times of Malcolm X: An Opera in Three Acts- Critical work of Opera Theater stage premiered by NY City Opera in 1986.  This masterpiece speaks with uncanny resonance for 2015   Amistad, An Opera about The Slave Ship Rebellion:Aria: The Unknown in My Realm from the World Premiere performance 1997 at Lyric Opera Chicago[This excerpt is featured in Emancipation/Civil Rights section below]

Breaking News=>

Anthony Davis' 
The Central Park Five-A World Premiere
Long Beach Opera  June 2019

Anthony Davis'
Darkest Light in The Heart- A World Premiere
The Charleston 9 Church Shooting
 2020 Spoleto Festival

Breaking News=>

Adolophus Hailstork has been commissioned by The Los Angeles Philharmonic to compose a new work for orchestra based on a theme of William Grant Still.  The work will world premiere on February 17th, 2019 in the program below conducted by Thomas Wilkins

  • ELLINGTON: Three Black Kings
  • GERSHWIN: Second Rhapsody
  • Intermission
  • Adolphus HAILSTORK: new work for orchestra (world premiere, LA Phil commission)
  • STILL: Symphony No. 4, "Autochthonous"

WFMT-Facebook Live: World Premiere,
 Shawn Okpebholo's
Oh Glory
from newly recorded
Spirituals  Volume 2
performed by J'Nai Bridges with Paul Tunland Sanchez
August 13, 2018

Celebrating The 200th Birthday of
Frederick Douglass
A Tribute Concert June 3, 2018

**The Voice of Frederick Douglass**
Dorceal Duckens

April 20, 2018

Congratulations to composer, Joel Thompson

First Place Winner of The American Prize for Choral Music
 for the extraordinary work, 
"The Seven Last Words of The Unarmed"
This performance was filmed during February 2017 Sphinx Music Gala, Detroit Symphony Hall, Detroit, Michigan


April 4th 2018 Los Angeles Music Center

The West Coast Premiere of the powerful and  timely
composition of Joel Thompson: The Last Seven Words of The Unarmed
performed by The Inner City Youth Orchestra and Gay Mens' Chorus of 
Los Angeles

Breaking News=>  
Chicago Symphony Orchestra African American Network 
premieres February 24th 2018
Renee Baker's new score 
for the screening of the historic 
1927 Black Silent Film,
Scar of Shame   

Still from 1927 Silent Scar of Shame with new score by Renee Baker

Renee Baker's premiere score for Micheaux's Body and Soul 1924

Renee BakerTalk Back: After Screening of Body and Soul

With Melanie Sarapa, Nicole M. Mitchell, Robert C. Fisher, William Tony Porter and Bruce Nelson.

Breaking News:=>
The discovery of a lost African American Opera
by Shirley Graham
Tom, Tom, 1932

Premiered to acclaim to an audience
 of 25,000 during Summer 1932 by
The Cleveland Stadium Opera Company, it has never been revived until a recent workshop at Harvard

Along with Howard Freeman's 1928 opera, Voodoo, Graham's 1932
Tom Tom  precedes Gershwin's  1935 Porgy and Bess and showcases a Black narrative that is different from the troubled inhabitants of  Catfish Row
Read more below

Breaking News=>
Rediscovering A Lost Genius of 1970s Minimalism-- 
Julius Eastman

To Be Young Gifted, Black and Gay .... in New York City 1970s-80s

Although  Eastman's music has been viewed in isolation as a creative entity without connection, Julius Eastman's art was part of 
 The Black Gay Cultural Spring
{aka "Arab Spring"} of  1970s-80s  New York, Philadelphia, Washington DC  lead by writers-poets-activists, Joseph Beam,  Essex Hemphill  and film maker Marlon Riggs, creator of the filmic Anthem for this Movement,
Tongues Untied 

On February 20th 2018, The LA Philharmonic New Music Group
showcased Eastman's iconic composition"Evil Nigger" for 6 Pianos

Listen to this version for 2 pianos 

Breaking News=>
Jonathan Bailey Holland - 
2018-19  Composer in Residence 
with The Cincinnati Symphony 

 JEFFREY MUMFORD:  Rhapsody for Cello and Orchestra, An Expanding Distance for Multiple Voices:1  and An Evolving Romance for Flute and Piano

Oh Freedom  performed by Baritone, Will Liverman

JONATHAN BAILEY HOLLAND  Fanfares and Flourishes on An Ostinato
Premiered by The Detroit Symphony

          A Composed Response
Jonathan Bailey Holland’s meditations through music
Harvard Magazine   
January-February 2018 issue

GARY NASH: A Fraternal Prelude for Symphonic Band.
A Fraternal Prelude is a beautifully lyrical and poignant work that has standard repertoire status for Symphonic and Concert Band world wide at its core  

Joel Thompson The Seven Last Words of The Unarmed 
performed by The Michigan Men's Glee Club with The Sphinx Symphony Orchestra under the directionof Conductor, Eugene Rogers.

Also featured in Music Player#1 are 

Symphonic works by Adolphus Hailstork,  Billy Childs, Jeffrey Mumford, George Walker, 
Ulysess Kay, Julius Williams and Kerwin Young

The Art Songs of  H Leslie Adams, Richard Thompson,
Mark Lomax II and Shawn Okpebholo

Chamber music for Clarinet&Piano, Flute& Piano, Bassoon&Piano, Cello&Piano, Violin& Piano,Saxophone &Piano and Music for Percussion
by Dorothy Rudd Moore, T J Anderson, Chad Hughes, David T Baker, Alvin Baptiste, Mark Lomax II, Anthony Green, Tania Leon

Choral Music by James Newton, Tania Leon and Trevor Weston[featured below]

Piano Music by African Composer, Joshua Ozogiwe , Noted Spirituals arranger, Margaret Bonds     Additional Piano Music  by Adolphus Hailstork, Trevor Weston ,George Walker  featured in Music Players below

Celebrating  African American Art Songs and Poets 
And The Negro Spiritual @150 Years

A Cycle of Cycles

August 26th , 2017 4:00 pm
The Church of The Masters, New York, New York

A Concert of  the Music of Composers Roy Jennings, Valerie Capers, John Carter and Richard Thompson set to the verse of 
African American poets, Paul Lawrence Dunbar, Langston Hughes 
This concert will also showcase The Negro Spiritual in contemporary arrangements

Celebrating George Walker
1996 Pulitzer Prize Winner
on the occasion of his 95th birthday, June 27th, 2017

George Walker, An American Outsider approaches his 95th Birthday
June 27th 2017

Serenades and Symphonies
The Southeast Symphony, Los Angeles
BYRON ADAMS - Serenade for 9 instruments
CHANDA DANCY - Centrifuge (world premiere)
JOHN ADAMS - Chamber Symphony
Shatto Chapel at First Congregational Church of LA
540 S. Commonwealth Ave, LA, CA 90020
May 18, 2017

George Walker and Choral Arranger/Composer, Roland CarterGeorge Walker and Choral Arranger/Composer, Roland Carter

Program from Inaugural 2013 Festival

Colours of Music, Festival Conductor, Marlon Daniels, October 2013

George Walker @ October 2013 Colours of Music Festival, Charleston, South Carolina
Photographs by Bill Doggett/ Bill Doggett Productions
Row 1: George Walker meets renowned Spirituals Arranger/Conductor, Roland Carter.   Row 2: With Charleston Festival Sponsors
Row 3: Festival Conductor, Marlon Daniel  and friend of George Walker, in standing ovation


The African American Art Song Alliance
20th Anniversary Conference
February 10th 2017
University of California, Irvine, 
Claire Trevor School of Performing Arts, Winifred Recital Hall
With generous support 
by Thomas Hampson
The Hampsong Foundation

Premiered May 2016 at Composers of Color Collective, University of North Carolina Chapel Hill 
Music as an Inter generational Story Teller


The People Could Fly
for Narrator, Solo Violin and String Orchestra

The People Could Fly
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Innovations in Blended Genres:Third Stream and Classical Form

Bill Banfield: Im Dizzy Over Miles from Symphony #6-Four Songs for Five American Voices is an exquisite example of this genre 
*Listen for Banfield's masterful use of James Brown's iconic We're Gonna Have a Funky Good Time mid way. Miles Davis embraced James Brown fusion in his last albums in the first track in the Music Player below

R Jess Brown Jr: Symphony of Souls Versions 1 and 2 + Away Before Dark-  two late Miles Davis/Joe Zawinul evoking masterpieces of Third Stream's 1970s Variation...called Jazz Fusion
Away Before Dark in many ways evokes Miles Davis' score for the landmark 1958 Francois Truffaut  film: Elevator To The Gallows

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Le JaZZ Hot 
Les frères Tixier
Tony Tixier Quartet Live at Clermont Ferrand /Festival Jazz en Tete
 ( France) 2012

Black Youth Composers

 XAVIER FOLEY:Solo #1    A tour de force by the 25 year old Philadelphia Curtis Institute student and 2014 Sphinx Music Competition First Place winner.
 *To view, click the stop/pause button at top of page Music Player*

Contemporary Black Women Composers


The exquisite Art Songs of  H Leslie Adams, Richard Thompson, Valerie Capers and George Walker

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 The Contemporary Piano Recital

 A sample of compositions of George Walker, Trevor Weston, Adolphus Hailstork, Maragret Bonds
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Spirituals and Songs of Praise in New Editions
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2017 marks The 150th Anniversary of the 1867 publication by Abolitionist musiciologists of 
Slave Songs Of The United States

Below are new settings of "Slave Songs" now known as Spirituals


Honoring The Abolition Movement's FREDERICK DOUGLASS
HARRIET TUBMAN and SOJOURNER TRUTH, listen below to two outstanding works for the theater and opera stage that capture the intensity of SLAVERY and The Middle Passage, Anthony Davis' AMISTAD and THE CIVIL RIGHTS MOVEMENT and MALCOLM X, Anthony Davis' X, THE LIFE AND TIMES OF MALCOLM X

2013-2018 are critical years of rememberance  during which there will be much reflection on and new calls to #advancethedream of  Martin Luther King  as well as Malcolm' X's clairvoyance about strategies of redress in critical issues of social justice and Black community self empowerment.
ENTER: Anthony Davis' landmark opera of 1986: X, The Life and Times of Malcolm X
Listen to Malcolm's Aria , We Are A Nation and Malcolm X's iconic remarks about JFK and Dallas  November 22nd, 1963 and Martin Luther King's iconic call to action: If You Cant Walk....speech
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Want to hear MORE of X by Anthony Davis:visit my SoundCloud 

February 2017  SphinxConnect, Detroit Michigan
A Project of Sphinx Music Corporation

Music from Africa 
for Organ and Piano and The Diaspora Legacy in Cuba/Haiti/Brazil

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